Portrait of a Lady on Fire
France, 1760. Marianne is commissioned to paint the marriage portrait of Heloise, a new girl whom has simply left the convent. Because this woman is a reluctant bride-to-be, Marianne comes underneath the guise of companionship, observing Heloise by time and secretly painting her by firelight through the night. While the two women orbit each other, closeness and attraction develop as they share Heloise’s first moments of freedom. Heloise’s portrait quickly becomes an act that is collaborative of testament for their love. Winner of a coveted Cannes reward and among the best evaluated films of the season, Portrait of a female burning solidifies Celine Sciamma among the most exciting filmmakers involved in the entire world today.
Jane (Ozark’s Julia Garner) is a recently available university graduate and aspiring film producer, who’s just landed her fantasy task as a junior associate to a powerful activity mogul. Her time is a lot like virtually any associate, making coffee, buying meal, organizing travel rooms and using phone communications. But as Jane follows her routine that is daily grows increasingly conscious of the punishment that insidiously colours every aspect of her workday – an accumulation of degradations against which she chooses to have a stand. Continue reading